Handcart Ensemble

Pulitzer Prize-Winning Poet Paul Muldoon on Handcart’s The Burial at Thebes

“I simply can’t imagine a better production of The Burial at Thebes. Handcart Ensemble is a spectacularly gifted group, absolutely equal to the subtleties of Heaney’s text. I’ll go anywhere to see anything they do.” —Paul Muldoon

The Third Wheel

Handcart Ensemble’s Theater Blog

Friday, September 6, 2002

Sometimes I hear voices

There’s a chance to hear a playwright who knows the power of the spoken word this month. My friend Marc Chun is having his play Match (billed as Heard, Not Scene with another, short play) done at the Red Room downtown. Marc, unlike me, has a real job and spends most of his waking hours pursuing causes having nothing to do with the theater. Yet he makes time to write splendidly crafted pieces that rely entirely on actors and speech for their effect. Match’s structure isn’t quite as original as the buzz suggests: To bring a bunch of seemingly unrelated narratives to a thematic head isn’t unexplored territory – it’s a subgenre, really. Marc passes the benchmark for this type of play by successfully casting a spell, creating an early sense that a revelation is in store and making us desire it through empathically drawn characters.

It’s prime Off-Off Broadway, delivering a bang on a next-to-zip budget, and it’s refreshing to see a production do this with confidence in its resources, i.e. skillful storytelling and a lyrical sensibility. The Miss Saigon helicopter joke on the production postcard is a little bit moot, since gimmicks of that proportion are so obviously beyond the reach of a company performing in the Red Room. But it’s nice to see something in the fringe circuit that isn’t so desperate for attention that it needs a tag like “Imploding psyche of 27-year-old office assistant meets redemption in a burlesque meditation involving ninjas, mushrooms, and Alan Ginsberg.” Handcart groupies (both of you) will be gratified to see alum Steven Gridley directing, alum Erin Treadway performing, and Handcart workhorse James Mack playing frightened confusion in a role he was born for. The play’s at 8 PM Monday and Tuesday (September only), at the Red Room on East 4th.

Posted by Scott Reynolds at September 6, 2002 12:48 PM

Comments

“Match” was great. I got to see its penultimate performance on Monday the 23rd. Good writing and directing set up a handful of talented actors on a sparse stage, and they completely engage the audience. Yum….

Posted by: Kevin Ashworth at September 25, 2002 02:35 PM

Post a comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)


Remember me?


The Third Wheel

Main Page

Monthly Archives

October 2006
March 2006
January 2006
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
March 2005
January 2005
October 2004
July 2004
June 2004
May 2004
April 2004
February 2004
November 2003
October 2003
September 2003
June 2003
April 2003
March 2003
February 2003
December 2002
November 2002
October 2002
September 2002

Recent Entries

Good-bye Eve
Note from the AD
Two Yeats Plays in two weeks!
Pinter in winter
Success and struggles, on a shoestring
Op-ed of bad ideas
Tomorrow’s audience
Props to Pinter
Add this blog to your list
Reviews, powerless and otherwise
Gridley strikes again
‘Mamma Mia!’ copycats perhaps to dwindle
The poetic land of Lorca
Theater revival
Clear Channel moving on, kinda sorta
Checking in on our favorite Arkansan theater
Love’s ‘Labour’ not a lost cause in Kabul
Roundup
August Wilson is dying
What can theater do?

Copyright © 2001 - 2007 Handcart Ensemble.